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# Gran Turismo 7 opening movie underscores Polyphony Digital's focus on car culture, Push Square argues
- URL: https://www.webzenith.news/gran-turismo-7-opening-movie-underscores-polyphony-digitals-focus-on-car-culture-push-square-argues/
- Published: 2026-10-16T02:28:31.000Z
- Updated: 2026-10-16T02:28:31.000Z
- Author: Mohammed Anas

An official opening movie for Gran Turismo 7 is available on the franchise's site and YouTube, and an opinion piece on Push Square argues the short film underscores Polyphony Digital's deep affection for cars. The publisher's take centers on the cinematic sequence as evidence of the developer's long-standing dedication to automotive culture.

## What happened

The Gran Turismo website published a news page announcing a 7-minute opening movie for Gran Turismo 7 and embedded an official video titled "Gran Turismo 7 - Opening Movie | PS5, PS4." The site includes a message from series producer Kazunori Yamauchi describing the film's goal to convey car culture and to summarise 150 years of the relationship between cars, people, and society.

The producer's message and the site listing identify a series of automotive milestones depicted in the introduction, from early innovators such as Carl Benz and the Model T Ford to modern icons and notable venues. That focus on historical events and car culture is the basis for Push Square's argument that the movie demonstrates Polyphony's particular devotion to cars.

## Why it matters

Cinematic opening sequences serve as a statement of intent for entertainment projects. In this case, the Gran Turismo 7 opening movie is explicitly framed by its creators as a meditation on automotive history and culture. For players and fans who value authenticity and the franchise's automotive roots, a short film that traces a broad chronology of cars reinforces the series' thematic priorities.

## Webzenith News Analysis

The official presentation on the Gran Turismo site, combined with a message from the series producer, makes clear that the opening movie was conceived to celebrate cars and their cultural impact. That creative emphasis gives commentators such as Push Square a tangible example to reference when arguing about Polyphony's priorities. The claim that the film proves Polyphony "loves cars more than" other studios is an interpretive judgment, but the movie's subject matter and the producer's stated intent offer concrete material that supports a narrative about the studio's close relationship with automotive culture.

Overall, the opening movie functions as both a piece of franchise media and a public statement about what Gran Turismo 7 values. Whether viewers take that as proof of exceptional devotion will depend on their interpretation, but the film itself and the producer commentary provide clear evidence that storytelling about cars is central to this release.